Les Misérables: The Motion Picture Soundtrack

Product Information

Do You Hear the People Sing?" is one of the principal and most recognizable songs from the musical, sometimes (especially in various translated versions of the play) called "The People's Song". A stirring anthem, it is sung twice: once towards the end of the first act, and once at the end of the musical's Finale. Instrumentally, the theme is also prominent in the battle scenes. In the 2012 movie, it is performed after "One Day More". Enjolras repeats the bridge melody of "I Dreamed a Dream" with Marius singing the countermelody. (E♭ major) Parisian Revival Version– This song is known as Je sais ce qui se trame (I Know What is Happening). This section does not cite any sources. Please help improve this section by adding citations to reliable sources. Unsourced material may be challenged and removed. ( October 2021) ( Learn how and when to remove this template message)

We have been building to this, and “The Confrontation” does not let us down. Valjean and Javert face off, furiously articulating their opposing points of view on justice, duty and whether a man can change his ways. Their differences are reflected in the musical counterpoint too: Valjean higher-pitched, lyrical and passionate, Javert lower, ploddingly rhythmical and implacable. “Castle on a Cloud” Original French Version– One stanza of it can be found in the song La nuit de l'angoisse (The Night of Anguish). James Fenton had written another song for Gavroche's death, called "Ten Little Bullets", using the melody of Gavroche's solo in "Look Down". [10] The song did not make it past recordings, probably not even there. Only the Broadway Revival version restarted using it in 2006.Les Mis ends on a note of defiance: the rebels might be beaten this time, but more will follow. It’s a triumphant climactic number – hard-earned but full-throated optimism. After numerous songs about relentless, unchanging toil – tomorrow just another day of the same hardship – the show ends with the promise of something better when “tomorrow comes”. Who will join in our crusade? Generations of Les Mis audiences, inspired to fight for a fairer world. See more shows in the West End Cosette, Fantine's daughter, who is abused and mistreated by the Thénardiers but whom Valjean later adopts– she soon grows into a beautiful young woman He shared the idea with French composer Claude-Michel Schönberg, and the two developed a rough synopsis and analysis of each character's mental and emotional state, as well as that of an audience. Schönberg then began work on the music, while Boublil the text. According to Boublil, "I could begin work on the words. This I did—after myself deciding on the subject and title of every song—in collaboration with my friend, poet Jean-Marc Natel." [19] Two years later, a two-hour demo tape of Schönberg accompanying himself on the piano and singing every role was completed. An album of this collaboration was recorded at CTS Studios in Wembley and was released in 1980, selling 260,000 copies. [ citation needed] Original French Version– This song is known as La journée est finie (The Day is Finished), in which it appears as the first song.

the young daughter of the sinister Thénardiers who was pampered and spoiled as a child but grows up to be ragged in Paris. She secretly loves Marius, however he is truly oblivious Behr, Edward (1993). The Complete Book of Les Miserables. Arcade Publishing. ISBN 978-1-55970-156-3. Valjean is immediately arrested for stealing silver from the Bishop’s house. But at his darkest moment comes a ray of light: the Bishop, instead of pressing charges, tells the police that he had given the silver to Valjean. This moment of salvation is a musical reprieve from the punishing misery, too. “Prologue: What Have I Done?” Billington, Michael (21 September 2010). "Twenty-five years on, they ask me if I was wrong about Les Misérables ..." London: The Guardian Newspaper Online . Retrieved 31 January 2013.a b Bennetts, Leslie (6 December 1986). " 'Les Misérables' Ready For Its American Debut". The New York Times. p.11. Clements, Carly-Ann. "Les Mis: Everything you need to know". Official London Theatre. 19 December 2019. Archived from the original on 5 July 2020 . Retrieved 5 July 2020. We begin Act II with the students constructing their infamous barricade. Marius is still distracted, however, as Eponine acts as go-between for him and Cosette. Meanwhile Javert prepares to infiltrate the rebels. “On My Own” Jones, Kenneth. "Les Misérables: Les Misérables-May 15th, 1999 Dublin". whoisthatface.weebly.com. Whose Is That Face in the Shadows? . Retrieved 12 August 2016.

Empty Chairs at Empty Tables" is a solo sung by the character Marius, who is mourning the death of all of his friends who were killed at the barricade. Part of it is to the tune of "The Bishop of Digne". Jones, Kenneth (10 March 2006). "Les Miz Tour's Final Stop Announced; Meet It in St. Louis". Playbill. Archived from the original on 22 November 2013 . Retrieved 22 November 2013. Javert attempts to subvert the rebels’ cause – but Gavroche recognises him, and now Javert finds himself a captive, at the mercy of others’ whims. “Little People” Gavroche, a hotheaded young boy who is adored by the people and aligns himself with their revolution– he is a true symbol of the youth and boldness of the rebellion. He is a "street urchin" and belongs with the revolution Who Am I?" is a song from the first act, a solo sung by the main character Jean Valjean. It is rather slow-paced, and shares a melody with Valjean's solo in "One Day More", as well as the ten-years-later sequence after the Prologue.

“Bring Him Home”

Now we see that scamming in action, as the Thenardiers pretend to be heartbroken at the loss of their dear Cosette – and keep pushing up the price for Valjean to take her. It’s amusingly couched in a schmaltzy waltz tune, but we know the venal truth. Valjean gets the measure of them too. And this won't be the last time that he tangles with the Thenardiers. “Look Down” Parisian Revival Version– This song is known as La première barricade (The First Barricade). The section where Éponine delivers the letter to Valjean is cut. Les Miserables: Sheffield Motorpoint Arena". uktw.co.uk. UK Theatre Web . Retrieved 12 August 2016. Rue Plumet– In My Life", referred to on most recordings as simply "In My Life", is among the better-known songs from the musical. It largely involves a duet between Cosette and Valjean, though Marius and Éponine also sing near the end. In the Original London recording alone, it plays alongside a Cosette solo, "I Saw Him Once", ( Te souviens-tu du premier jour? in the original 1980 French production) cut out of all other recordings.